Mister Rogers: Evangelist for the Imago Dei
As
I was flying back from the University of Notre Dame this past weekend, I was
blessed with the opportunity to watch the Mister Rogers documentary, Won’t You Be My Neighbor? I fondly
remember watching Mister Rogers’s
Neighborhood as a child, but I did not realize at the time what a trailblazer
Fred Rogers was in developing holistic television programming for children.
When I watched the show as a child, I remember seeing a man who was not only
well-dressed (cardigans for the win), but one who was intentionally kind and
personal. When he asked, “Won’t you be my neighbor,” I felt that he was talking
directly to me, and the documentary affirms that this was the experience of
many viewers, old and young. Mister Rogers showed how it was possible to have a
real, meaningful relationship with children without gimmicks by simply being
oneself.
One
of the most moving parts of the documentary for me was when Mister Rogers had
invited Jeff Erlanger, a 10 year old bound to an electric wheelchair, to the
show. Together, they sang one of Rogers’s most beloved compositions, “It’s You
I Like.” The lyrics are as follows:
It's you I like,
It's not the things you wear,
It's not the way you do your hair
But it's you I like
The way you are right now,
The way down deep inside you
Not the things that hide you,
Not your toys
They're just beside you.
But it's you I like
Every part of you.
Your skin, your eyes, your feelings
Whether old or new.
I hope that you'll remember
Even when you're feeling blue
That it's you I like,
It's you yourself
It's you.
It's you I like.
Although
Erlanger appeared on the show to talk about his experience of being paralyzed,
having spinal surgery and being in an electric wheelchair, Rogers emphasized
how underneath all of those appearances, it was Erlanger himself whom Rogers
liked and considered a friend.
Related
to songs such as “It’s You I Like” and other expressions Rogers used to stress
the uniqueness of every child, I was surprised to learn that some commentators
have accused Rogers of contributing to an entitled generation of people,
specifically the Millenials. In an episode of 60 Minutes describing Millenials in the workplace, host Morley
Safer said that Millenials had “doting parents who told them they were special,
played little league with no losers or winners, and were laden with trophies
just for participating.” I think there is some merit to this critique,
especially regarding the point about having no winners or losers and an
overabundance of participation trophies. Indeed, eliminating any sense of
difference in achievement can have a negative impact on child development. If I
receive as many accolades for sitting on the bench as the player that scored
the most points, that makes it seem as if that game is not worth doing in the
first place.
Although
it is legitimate and necessary to criticize entitled tendencies in ourselves
and the culture, I think that Mister Rogers’s point was a much deeper
anthropological and, dare I say, theological reality that undercuts a cultural
emphasis on personal value evidenced through achievement and success. As a Presbyterian
minister, Mister Rogers was deeply influenced by the traditional Christian
anthropological conviction that human beings are made in the “image and
likeness” of God (cf. Genesis 1:26), and it is through this lens that I think
we should understand his overall project. This point was also made in the documentary; here I would just like to elaborate a bit more and highlight this as the center of Mister Rogers's work.
Unlike
the myths of the ancient Near East, the authors of Genesis 1 and 2 affirm that
human beings are not the byproduct of divine conflict or slaves created simply
to appease the gods. Rather, human beings are loved into existence by God the
Creator and sustained by His continued care. Moreover, they are made in His “image
and likeness,” which confers on human beings a special dignity unique among
creation. From the child growing in the womb to the mentally disabled homeless
person to the extremely frail elderly person, this unique dignity is shared by
all human beings, irrespective of their capabilities or personal achievements. It
is this divine image and likeness which indeed makes each person “likeable,”
even “loveable” in God’s eyes. God loves us not because we have merits apart
from Him, since “while we were yet sinners Christ died for us” (Romans 5:8).
Rather, God loves us because He is
good and has created us good in His own image and likeness. He invites us to
love each other by recognizing His image in the other person, whether that
person is amicable to us or not.
Mister
Rogers, in his personally charming and gentle way, embodied this higher way of
trying to see the image of God in every person and treating them with deep
respect and care because of this deep conviction. In a world where the dignity
of the human person is continuously violated and where it is increasingly easy
to demonize and dehumanize those who disagree with us, Rogers’s example is one
well worth imitating.
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